Press

Systems of Noise and the Experiential Glitch Companion: An Interview with Jonas Bers

Benton C Bainbridge, Whitehot Magazine

“音楽用のシンセサイザーでつまみを捻ったりパッチングして音を歪めたりするような感覚と近い感覚で映像を歪めたり、色調や大小など様々変化させられる面白さがあり、またデジタルで作られる映像作品にはないテクスチャーを持った作品を作れそうだ。。”

Toshinao Ruike, MAKE: Japan

“He’s not playing modular synths, he’s playing video signals.”

Allysa Buffenstein, VICE: Creator’s Project

“When I regained my hearing, it was like I had entered a new realm.”

Kevin Lozano, VICE: Thump

“Perfect mirror visual accompaniment.”

Isaiah David, AdHoc

“The best kind of exploding noise in a historically significant context I may ever see.”

Ben Hersey, Boston Hassle

“The sound guy runs to the stage, assuming something’s gone wrong.”

Mike Faloon, Go Metric

“What a single cell of hydrogen fission would sound like if it was slowed down a million times.”

Anthony Tino, Recession Art

“…OCEANIC — achieving waves in sound that mimic the motions of the tides.”

Jennifer Gutman, Chronogram

“..modern witchcraft.”

Nicole LePera, Sun Journal

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