Press
“This is the originality and genius of art: allowing a connection; a common language. We look at a screen without any sound and then there is a loud noise and a moving point, and then a circle, but what is a circle? I don’t know, but I know this: if we look at a square, you and I have the same reaction.”
DiSilvia Franzoni: FILO Magazine
Friday Hack Chat: Visual Synthesis
Vector Hack: Ovvero il sabotaggio della realtà virtuale come prassi artistica e sociale
Antonella Di Tillo, Culture Future
Systems of Noise and the Experiential Glitch Companion: An Interview with Jonas Bers
Benton C Bainbridge, Whitehot Magazine
“音楽用のシンセサイザーでつまみを捻ったりパッチングして音を歪めたりするような感覚と近い感覚で映像を歪めたり、色調や大小など様々変化させられる面白さがあり、またデジタルで作られる映像作品にはないテクスチャーを持った作品を作れそうだ。。”
“He’s not playing modular synths, he’s playing video signals.”
Allysa Buffenstein, VICE: Creator’s Project
“When I regained my hearing, it was like I had entered a new realm.”
“Perfect mirror visual accompaniment.”
“The best kind of exploding noise in a historically significant context I may ever see.”
“The sound guy runs to the stage, assuming something’s gone wrong.”
“What a single cell of hydrogen fission would sound like if it was slowed down a million times.”
“…OCEANIC — achieving waves in sound that mimic the motions of the tides.”
“..modern witchcraft.”
jonasbers.com 